Mom Cave August 20 2012
LAVENDER, PHLOX and GLASS ::: 52 Flea
Today we have some much needed rain…
…but a few days ago I picked a few blossoms
and played with my camera and some colored glass…
…again.
About 52 Flea: Hello, I’m Laura and the author of 52 FLEA which is my online journal and an accounting of my flea marketing and antiquing adventures. I have been a life long collector of all things old and interesting and began sharing my collections and experiences through my blog in 2009. I am amazed and honored as 52 FLEA has been featured in Somerset Life, Artful Blogging, Romantic Homes, Crescendoh.com and even a mention in Flea Market Style!
Since leaving the corporate world two years ago I have been focusing on my creative and artistic side. I have become enamored with photography… taking pictures of my vintage collections, the sights at antique shows, flea markets, beautiful homes and gardens, eclectic shops and all sorts of fascinating places. My camera and my laptop are always with me!
Although my collecting continues, I have been trying to organize my life and my “stuff” and have begun the process of letting go…not only sharing but selling my treasures in a multi dealer shop. I am also on the verge of opening my online and Etsy shops.
Join Laura for flea marketing fun at 52FLEA.com and on Facebook.
SOMETIMES THE TOAST LANDS BUTTER-SIDE-UP ::: Unravelling with Mary Scott Huff
A classically trained actor
A fiber artist
The caretaker of 2 cats, and 2 Scottish Terriers
An avid motorcycle enthusiast
A ferocious friend
A caring daughter
A loving sister
A sometime singer
Devoted to hearing, causing and experiencing Laughter
FINDING MY VOICE ::: Tallgrass Prairie Studio
This winter I’ll mark my 5th year anniversary as a quilter. In some ways five years seems like a long time and in other ways it seems like I’ve barely begun. As I was writing notes today for an upcoming talk I’m going to give in Colorado I started to reminisce a bit.
After I saw the Quilts of Gees Bend, I fell in love with that improvisational spirit, but there was no “how to” in any of their books. When Denyse Schmidt’s first book arrived I thought, she is going to share the process and I was crestfallen to find a book of patterns and no insight into her process. I’ve since learned that sharing, documenting and talking about the improvisational process is more complicated and involved than I had imagined.